Posted by nightphoenix on May 18, 2012 in
Novels,
Output,
Process So I’ve been struggling for…sheesh, years probably…trying to come up with a system to keep myself productive when it comes to writing. I will sometimes have entire weeks and occasionally months in which I get very little to nothing done, and that’s time I can’t get back. Well, I think I’ve come up with a solution, and it’s so ridiculously simple that I’m kicking myself.
The only way my brain is able to treat writing like a day job is if I actually “go to work” every day…meaning I get in my car, drive to my “workplace”, do work, and then go home when “time” is up. It’s not like I’ve never thought of doing my writing elsewhere; I’ve written in fast food places, coffee shops, bookstores, libraries. But I think in my mind I was still treating these excursions as get-aways or mini-vacations instead of a job, so it wasn’t something that I would think of doing every day. And the problem with choosing a restaurant or coffee shop as a writing office is that you’re morally (and sometimes actually) obligated to purchase something every couple of hours. That gets expensive real fast.
The other issue is hours. I’m free from 8 in the morning until 2 in the afternoon. Unfortunately, most places don’t open until 9 or 10, sometimes even 11. Technically I’d have more hours to work if I stayed home and started working at 8…but if I stay home, I often don’t get anything done at all. It’s a lot like abstinence-only sex education: looks great in theory, but in practice, I’d be better off trying a “less effective” method that actually works.
Last week I began experimenting with “going to work” at the library. I even give myself an official lunch break and everything. So far this has been working so well that I’m really, really annoyed at myself for not trying this before. If I work for 3 or 4 hours, with a break between, I can average about 2,000 words. (Mind, this is on days when the writing is actually a bit slow and difficult…I could probably do more on days when I can merrily plug along.) I’ve gone from hopefully being able to finish the rough draft of Promises, Like Tears by November to thinking I might be able to finish the draft by the end of next week. (This is my current goal, since my son’s last day of school is next Friday and after that my productivity will drop dramatically.)
My other nod to being more productive is on days when I just simply cannot work on the current story, I’m making myself outline other stuff in the queue. I have finished a fairly detailed outline for Dog Prince and Free (formerly Voiceless), and am working onputting Windwaker together. I’m discovering that a lot of my stories are much less “put together” on paper than they are in my head, but hey, that’s part of the fun…right?
Still agent hunting. Got another request for a partial, which was encouraging although they ultimately passed. I seem to vacillate between really hopeful and downright discouraged. Last night I finally broke down and did a little research on how to query the publishing houses themselves. Most don’t take un-agented stuff but I was surprised to discover that a few do, especially in the sci-fi/fantasy genre. However, that process is a lot slower: most houses require an exclusive look (which means you can’t send the manuscript to anyone else while they have it), and they can take anywhere from a few months to a year to make a decision. I’ve decided that if I haven’t found an agent for Seven Shades by the time I’ve finished This Chosen Fate, I’m going to dump Hands on the editor circuit and start hawking This Chosen Fate to the agents.
I’m going to try and do NaNoWriMo this year and hopefully finish This Chosen Fate, since it’s already started and I have a very good idea of where it’s going. It will be nice to have another finished story under my belt that isn’t part of a series.
Tags: agents and editors, business of writing, Shades, This Chosen Fate, Windwaker
Posted by nightphoenix on Mar 23, 2012 in
Novels,
Output,
Process,
Short Stories Let’s see.
I’ve been putting the finishing touches on a short story written from Brendan’s point of view. It takes place during the span of time when Saeli is missing from Aschamon, just before she makes her reappearance. I’m planning to enter it in the Writer’s Digest contest, as well as one other (that isn’t picky about simultaneous submissions). If it places, I’m hoping it will generate interest in Hands, Like Secrets.
My other big project this last week was overhauling the bestiary of Amphitere’s Vision. I’ll talk about that in a separate post.
I have also decided to change the format of the game from computer-based to table-top. Because getting a computer game concept into the right hands is next to impossible for someone like me. If you want to create a game, you essentially have to work for a game company. There really isn’t a clear avenue of gatekeepers for ideas from outside the industry. However, if I go table-top, I will essentially be able to self-publish the concept and rules. I don’t have to worry about the look of the finished product, or about handing stuff over to a company or a programmer. I don’t have to invent every single little rule and quest and NPC and outcome for every single scenario that could possibly happen in the world, because I can leave most of that in the hands of the individual GMs who run campaigns. I think the move makes sense. And later, if someone wants to pick it up and make a computer game out of it…hey, I won’t complain 
I will have to reacquaint myself with GURPS (Generic Universal Role Playing System) in order to set up the dice rolling and gameplay rules. GURPS is the most straightforward and flexible system that I’m aware of (D&D is a mess and copyrighted besides, and I don’t want to have to invent a system from scratch).
I’ve changed the title of one of my stories. “Empty Eyes” is now “Dog Prince”. The sorcerers of that world have tamed these giant desert jackals, which they use both as horses and as guard dogs. The rest of the world, that hates and fears magic anyway, thus disparagingly calls anyone who can use magic a “dog”, after the jackals the sorcerers ride. Since Arav was heir to the throne before getting disowned, and then joins the sorcerers and discovers that he can use magic himself…kind of makes him a dog prince. I’ve also decided this is an adult story as opposed to a YA. Only because of tone and mood, not content! 
The other major change I’ve made to the queue has to do with Windwaker. I’m…removing the main character and replacing him with a girl. Because I think there aren’t enough stories where a girl goes on a sword and wits adventure by herself. And I mean one that doesn’t end with her meeting a prince and falling in love. I want to write an adventure where a young woman takes the Hero’s Journey, not as an accessory or “helper” to a man but on her own, and becomes the Windwaker herself…not just a prince’s bride.
This is something that I struggle with as a writer. As much as I don’t want to insert an “agenda” into my stories, the more I learn from blogs and online people about privilege and minorities and other viewpoints…the less I can ignore them in my writing. Yes, I originally wanted to write Windwaker about a male, but I cannot help but realize that if I do so, I will be unconsciously reinforcing the stereotype that only boys can have adventures. And I don’t want to do that. So I will write the same story, only about a girl. Because if authors write stories about boys who have adventures that aren’t about falling in love, then they should do the same for girls. Otherwise, girls may take away the subconscious message that the greatest adventure their gender is capable of is love and marriage…and it makes the girls who find swords more fascinating than boys feel like there’s something wrong with them.
Another example of this interplay of privilege and writing is that most of the relationships in my stories tend to be heterosexual. It’s what I know. But I cannot in good conscience deny the fact that gay people exist, and I feel that ignoring them in my writing is really not much better than ignoring them in real life. So in stories where they fit, I deliberately insert gay characters or have characters deal with homosexual people, not because it’s “politically correct” or to promote a positive or negative view of homosexuality…but because homosexual people are first and foremost people, and writing is about people. I don’t get to write stories with no gay people just because I’m straight, in the same way that I don’t get to write stories with no men in them just because I’m a woman, or no people of color just because I’m white. I have to make myself write such characters because I know I don’t do it naturally…and I don’t think the fact that certain thinking doesn’t come natural to me is an excuse to not do it. Not all of my readers will share my gender, race, or orientation, and I don’t think it’s fair to pretend, intentionally or not, that they and their struggles don’t exist or aren’t worth talking about.
So, Meghan Iris McKenna was born this last weekend. She’s a drummer from a religious town and a family that doesn’t think drums are a “proper” instrument for a girl to play, and that women have no business in leadership of any kind. I’m shelving the character Quintin for now, but he’ll probably show up in a different story that calls for an introverted geek. I rather like him.
Tags: business of writing, editing and revisions, Windwaker
Posted by nightphoenix on Jan 31, 2012 in
News,
Novels Well, yesterday I sent out a new batch of queries.
I think that both my query letter and story are much stronger than they were at this time last year, but I suppose I’ll have to wait and see what sort of response I get.
The issue that’s going to work against me the worst, I believe, is length. Hands, Like Secrets is bloody long, both for a debut and especially for the YA market. And there’s only so far I can knock it back without compromising the story. At best…at the very, very best I can do on my own…I might could knock it back to 118,000 or so. That’s how long Twilight is. Twilight was a debut, and a YA to boot. It’s not impossible.
It just makes an already difficult job harder.
I try to tell myself that Eragon was somewhere in the neighborhood of 150,000 words, and it took off nonetheless. However, Eragon was originally self-published, and had something like a year to gain momentum before a publisher ever picked it up. I will self-publish Hands if I absolutely have to, but I want to exhaust all my other options first.
I’m about to get back to work on Promises, Like Tears, which has become a bit bogged down. I think there’s a lot in there that I need to go back and cut, or rearrange, and I can’t quite decide if I should do that first or just push on to the end and THEN come back. The latter is probably the better option.
Changed Shades to Seven Shades. I really have no reason other than it sounds more interesting. And the characters occasionally swear by it. The only fact I’ve established is that there are seven “shades” in shayol, and I haven’t really worked out why that’s important. Might become relevant in the last book, when Saeli is briefly taken to shayol by the Keeper of the Oath. I suppose I’ll cross that bridge when I get to it.
I’ve also decided to attempt NaNoWriMo this year, and see if I can’t get This Chosen Fate written. It’s all plotted out; all I have to do is sit down and write it. That’s something I really need to practice: writing straight through something without going into editing mode. And this way I’ll have something besides Shades to shop around…something that isn’t as long
Tags: agents and editors, business of writing, Shades, This Chosen Fate
Posted by nightphoenix on Dec 22, 2011 in
Novels,
Output,
Process I just looked at the date of the last post I made here, and I’m fairly embarrassed. I’d love to say I’ve been wonderfully busy and productive and just haven’t had the time to update… Read more…
Tags: business of writing, editing and revisions, GMC, goals, Saeli, Shades, the real world
Posted by nightphoenix on May 10, 2011 in
Novels,
Output Yesterday I had the interesting and depressing experience of having two rejections land in my inbox on the same day. The second, naturally, appearing having gotten up from the brief nap I’d taken having been down about the first. Both were typical form letter rejections, the kind that give no insight whatsoever into why the agent passed up your work. What was especially depressing was that I’d mentally tagged one of those agents as a particularly good fit for Shades, given their online description for the sort of story they are looking for.
It’s so easy to take it personally. It’s easy to start thinking things like, “Man, my work must really suck if an agent who wants that exact kind of story doesn’t even want it.”
But I know that’s not true.
One’s taste in books is a highly subjective matter. I know this, because I know how picky I am about what I like to read. For example, I just finished the last book in Melissa Marr’s Wicked Lovely series…and I found myself mildly disappointed.
***Spoilers below***
Read more…
Tags: agents and editors, business of writing
Posted by nightphoenix on May 5, 2011 in
Input,
Life,
News Yes, it has been too long. April was a month full of surprises and changes.
My car died. Like, permanently. Poor old Pontiac. The only thing worse than driving an overheating car across Melbourne was then having nightmares about driving said overheating car across Melbourne that night. Which, I now know, was not a wise thing to do…but alas. Thankfully, I have the most wonderful dad in the world, who funded the Hyundai Sonata I’m driving now.
We now have a cat. The hubby heard him crying outside one night after those two huge April storms we had. I, of course, had headphones on and didn’t have a clue. So we’re sitting there working on our computers, when the hubby suddenly gets up and walks out the front door with no explanation. He then calls my phone and asks if we have anything we could feed to a cat. I cut up some hot dogs and take them outside, where I find him with a very skittish orange kitty in the downstairs breezeway. We debated what to do with the cat, as it was raining and we didn’t want to just leave him outside. As it was around 11 in the evening, our options were limited. We ended up bringing the cat up to the apartment for the night and made plans to call animal control in the morning.
We got some basic supplies and discovered that the kitty was housebroken (litter trained and everything). Also, this cat really, really liked my husband. I mean, he couldn’t even leave the room without the cat trying to follow and put its paws up on his ankles. I stayed home with the cat the next day until animal control came, and that part was absolutely horrible. My son was home on spring break, which made it even worse (how do you explain to a five-year-old why someone is taking kitty to the pound, when every single child’s movie that features a pound portrays it as a BAD PLACE??)
Well, we debated, and debated, and finally decided that we couldn’t bear the thought of this cat getting possibly euthanized if no one claimed him. After a week, we went back to the animal shelter and officially adopted him. His name is now Kansuke, and he is settling in very nicely (after he got rid of the cold he caught at the shelter).
I have been writing, despite all this; working on Promises, Like Tears and This Chosen Fate kind of in tandem. When I hit a block in one story, I switch to the other. By the time I hit a hard place in the other, I’m ready to continue the first one. I’ve also spent quite a bit of time on Amphiptere’s Vision, tweaking the skillsets. “Sandboxing” them, I call it; where instead of coming up with a straightforward list of abilities, I create a set of “tools”, skills that can be combined to create the individual abilities. It gives the player the opportunity to create their own “style” of fighting, hunting, building, etc. It also forces the player to think about what the various tools do, and to anticipate what might happen if one tool is combined with another. I want the player to “know” his skillsets nearly as well as the character does, and to be creative in how he employs them. Breaks the bash-bash-bash-loot monotony of grinding that most MMO’s seem to have.
I’ve heard back on a few submissions, mostly the standard not-right-for-us-at-this-time letters. The few more personal notes I’ve gotten have been encouraging, however (as is the fact that I’ve even gotten personal notes at this stage in the game). I’ve sent out a few more and hope to hear back in the next few weeks. The agent hunt continues.
That’s about it on the real life front. More to come later.
Tags: agents and editors, business of writing, the real world
Posted by nightphoenix on Feb 10, 2011 in
Input,
Novels,
Output This week I started shopping Hands, Like Secrets around to some agents, and believe it or not, I’ve already had a request for a partial! I actually heard from this agent the day after I queried them. In case you aren’t familiar with the publishing business, such a response is jaw-droppingly fast. Of course, I’ve also already received my first “form” rejection from a difference agency, so I guess it all balances out. But again, fast.
Interestingly, the agent who requested the partial was one who requires a writing sample with a query. The agency I got a rejection from only wanted the query itself. This means that the one who was interested saw some of the writing itself, and the one that wasn’t, didn’t. If this pattern keeps up, that will tell me that my writing is compelling and my query is not…meaning I’ll need to revise the query letter. But I’ll climb that ladder when I get there, I guess. I’m cautiously optimistic at this point.
Meanwhile, I’ve begun the process of revisiting the first draft of the second and third books. The first thing I noticed was that the writing isn’t as bad as I was afraid it was. Having said that, yeah…it needs a whole lot of work. Second realization was, man, how this story has evolved since I wrote this draft. Still using mage and cleric as terms, still third person, still working out kinks in Raphel’s character, for instance. Most of my scenes don’t have nearly enough conflict. Stakes don’t feel high enough. Motivation feel very contrived in places. Things work out too neatly.
Having said that, general pacing is okay. Secondary characters are believable and generally deep enough…no major tweaks needed. Scenes are more or less in the right order. My main tasks are going to be raising stakes, revising Naeth’s character, and revising the Keeper’s character. I will also need to weave bits of Caosgi in when my characters are on Dheu, and bits of Dheu in when they are on Caosgi…otherwise, it’s going to feel like two smaller books smashed together. I need to weave some flashbacks or dreams about Saeli’s Aschamon days in there, too, so the second book will connect back to the first. Tie Saeli’s feelings about Brendan to her feelings about Naeth.
It feels like a lot of work, but I think once I really get going, it won’t be so bad. Been working on this story long enough that I have a pretty good handle on where it needs to go.
I’m also going to start brainstorming and plotting The Waters, so I have something else in the works if the trilogy doesn’t get picked up right away. I chose that one because of the ones I’m really itching to do next, it’s the most straightforward. I love Raphel to death, but he makes me want to write an awesome “bad boy” who actually is the hero…not just masquerading as one. Alex Merrett is that character. Then I’ll do Windwaker, or maybe by that time I’ll be ready to work on Mask of Eldarmarch again. Dragon Singer is so complex and will require so much research that this is not the time to tackle it. Like Briar Rose, it needs to percolate for a while longer.
Again, apologies for the sparseness of posts. I’m going to make an effort to post something at least once a week, but I’m not promising anything. I’m not one for “check-in” posts…I only post when I have something to blather about.
Now…back to work.
Tags: business of writing, editing and revisions, goals, Shades
Posted by nightphoenix on Feb 2, 2011 in
Input My son turns 5 today. Long overdue, if you ask me. It’s interesting, watching one’s own child’s succession of birthdays. I’ve noticed that he starts acting the age he’s turning several months before February, and mentally I start thinking of him as being that age. Makes the actual day feel a little anti-climactic, at least for me. (Probably not to him. At least I hope not.)
I’ve been making an Excel list of agents to query. Today I will be sending out a query to the agent I met at the writer’s conference, and then picking out 10 or so others to send a first round of emails out to. Man, talk about a complicated process. Every agent wants something different. Some want just a letter. Some want a letter and a writing sample. Some want all that and a synopsis of the story.
Of the ones who want a sample, some want a chapter. Some want 3 chapters. Some want 5 pages. Some want 10 pages. At least one wants 50 pages (!). That means, for each one of these, I have to find a break somewhere in that neighborhood. Some want said pages attached. Most want the sample in the email body and will delete anything with attachments.
Of the ones who want a synopsis, most want a page or two. Some want 5 pages. One wants 3-5 paragraphs. *eyeroll* How many bloody synposises (synposi?) do I have to write?
Some want you to query just one agent at the agency. Some say that a query to one is a query to all. Some will let you submit to another agent at the agency if the first rejects you. Some stipulate that a rejection from one is a rejection from all. Most want an email. Some have a weird online form you have to use instead. Some respond to everyone. Most warn that prolonged silence is a no. Response time is anywhere between 1 week and 6 months.
Are you beginning to see the need for a spreadsheet to keep all this straight?? Now I figure if I can navigate all this excitement, I’ll be a step ahead of most people who go through this process.
I’m finally reading Towers of Midnight. I have to say, sometimes the library has good timing. I knew I had requested the book sometime back, and I was terrified it was going to come in during those couple of weeks before the conference. You know, when I was busy copyediting and preparing and most definitely not having time to start an 843 page beast. (That’s, er, overlooking the fact that I did read Fallen by Lauren Kate, and the final Vampire Academy book Last Sacrifice during that time. Um, yeah.)
I’ve also been reading the Maximum Ride books by James Patterson. Those are fun, though the super-short chapters get annoying pretty fast. I mean, when every single chapter is a page or two long? It starts to feel like this breathless, chronological montage of…stuff happening. Or like watching a fan blade turn round and round. It becomes a gimmick for making the book seem fast paced, but here’s the thing. These books don’t need it. They’re face-paced enough. Choppy chapter breaks are unnecessary, especially when they don’t really…divide…anything.
And here it comes, the deep thought for the day. Read more…
Tags: business of writing, musings, the real world
Posted by nightphoenix on Jan 24, 2011 in
Input,
Output Well, there’s one week until the conference.
I’ve finished the copyedit…finally…so this thing is about as good as I can make it. I just need to do a run of business cards, and finish up the bags we’re going to hand out to the speakers. I’ve been slowly working on a synopsis, and I’ve been doing some digging around on AgentQuery.com’s articles about agents and query letters. Boy, that’s going to be a…process.
Started an Excel worksheet of all the agents I’m going to query. Slow work.
I’ve also been taking a long look at my writing queue, and rethinking what I should work on next.
Obviously Shades has first priority. Now that I have the first book done, I really need to get the second and third books written. The overall story is incomplete. However, I’ve been poking around on some writing forums, and realizing that in the interest of furthering my writing career, dedicating myself to working exclusively on a series may not be the smartest thing for me to do.
Even if I get an agent for Shades, the first book may not sell. Then my agent is going to turn to me and say, “Well, what else have you got?” And if all I’ve got is the rest of that trilogy…yeah. Or, the book may sell but not do all that well once it’s published. The publisher may not want to put out the other two books, or at least not right away. Again, they’ll turn and ask “What else have you got?” Or heck, the book may do well enough, but the publisher wants to space out the trilogy and have me release something else in the meantime…and it’s back to that question.
What else have I got?
I’ve made the decision that I don’t want to work on Mask of Eldarmarch next, like I’d planned. I’m just…not all that enthused about it right now, and I’ve gotten a lot of other ideas over the past few years that I’d really like to tackle first. Right now Dragon Singer is at the top of the queue, but now I’m wondering if that’s a good idea. Dragon Singer is going to be a challenge…complicated plot with time travel, and a lot of research about stuff I don’t know a whole lot about. Maybe I should start with something simpler, you know?
I’d probably start with the Waters, if I was going to pick one. Straightforward romance. Fantasy setting. The research is on stuff I already know a lot about (sailing ships), and on stuff I can utilize my “artistic license” (what was Earhart’s personality like after X years in a place that doesn’t actually exist?). Then I’d tackle Windwaker, another relatively easy one. Then, then maybe I’d be ready for Dragon Singer.
What I think I’m going to do is try and work on Shades plus another project in tandem. (And yes, I know you aren’t supposed to do that.) Shades needs to get done, but I want to have another project in the works in case I need it.
Hopefully I won’t. Hopefully Shades will take off, and I’ll have people frothing at the mouth saying, “Where’s the rest of it???” At that point, yeah, I can focus my efforts.
Tags: business of writing, the queue
Posted by nightphoenix on Jan 14, 2011 in
Novels,
Output,
Process Well, I finished the line edit a week or so ago, and have been (mostly) diligently working on copyediting. And realizing that there’s often a wide gulf between what I think I wrote and what the sentence actually says. And that I tend to read what I think I wrote. Blarg.
I’m also working on a synopsis, which is more blarg…but not as bad as it could be, since I had the foresight to sum up all the important events of Hands on index cards in preparation for editing. I think I’ll have everything ready for the conference.
Speaking of: Hey, the Space Coast Writers Guild conference is coming up! Jan. 28th and 29th (which is a Friday and a Saturday). It’s a great conference, and not too pricey, as far as writing conferences go. Click here for details and a registration form. You can also walk in and register the day of.
I did the conference booklet again this year (yeah…last weekend’s mad project), and I hope it looks as good printed as it does on a computer screen. The registration booklet I did was a little graphics-busy, IMO.
So…one might ask why I’m blogging when I probably should be copyediting or synopsising or somesuch. Well, I’m feeling a bit burnt out and I figured writing something is at least more productive than reading pages upon pages of Slacktivist comments. Not that those aren’t interesting, and un-productive…anyway. Read more…
Tags: business of writing, Shades, the real world
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