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Welcome to the blog!

Posted by Mistress of Feathers on Feb 7, 2010 in News

You have, perhaps by luck, fate, scribblings on the back of a business card, or the arcane power of Google, happened across the writer’s blog of the Nightphoenix. Welcome! Feel free to look around the site, but do try not to step on the M&Ms.

If you wish to read the more detailed entries about specific projects I’m working on, you can click anywhere it says “register”, and follow the directions. Or, if you’ve one of my business cards in hand, you can simply use the visiting_writer login. The Blog Security page at the top has more details about this. Don’t worry, I won’t come knocking at your door.

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Revisit, re-assess

Posted by nightphoenix on Dec 22, 2011 in Novels, Output, Process

I just looked at the date of the last post I made here, and I’m fairly embarrassed. I’d love to say I’ve been wonderfully busy and productive and just haven’t had the time to update… Read more…

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Discontented plugins and unfruitful hunting

Posted by nightphoenix on Sep 29, 2011 in News, Novels, Output

Hey look, a post!

Apparently one of my plugins was actually hiding all of my posts except the top one, but only if you weren’t logged in. So of course because I was logged in, I didn’t notice. Anywho, I have fixed that problem, and I’ve also gotten the audio player back up and running, so music should work now. Troubleshooting is a laborious process, involving a lot of logging in, turning features on and off, logging out, refreshing the page, checking the page, logging back in, and well, you get the idea. I posted two new posts since the Great Fatal Error and Two Week Shutdown, but because of the above problem, I don’t know if anyone has actually seen them. Was kind of wondering why they never showed up on Facebook. Read more…

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Introducing a question to which I don’t have an answer

Posted by Mistress of Feathers on Sep 17, 2011 in Novels, Process

I am about to rewrite the knife battle between Avalgo and Othau, which is, in a sense, the climactic moment of my characters’ stay on Dheu.

The original fight was in my first draft of the whole trilogy (back before it was a trilogy), and it was one of those awesome, completely unplanned moments. The way the events had been progressing, I always assumed Raphel was going to be the one to take down Othau. He certainly wanted to. So I had this Raphel vs. Othau moment in my head literally right up until the moment Othau and Avalgo pulled knives on each other, and Raphel was occupied elsewhere. And I said, “Um, okay, apparently these two aren’t going anywhere until they have it out”. And it’s sort of appropriate that the fight should be between the two characters who are actually from Dheu…it highlights the fact that my four main characters are interlopers on a conflict that’s much bigger and much older than they are.

The theme of the fight is essentially the age-old question: Can an end justify the means taken to achieve it? If you have to become a monster to save the world, is it worth it?

And this is a theme that forms the backbone of the entire trilogy. Raphel’s goal is to save Verre from a war that is destroying both the Mantles and the Cowls…but he has to kill two gods in order to do it. Obviously he thinks it’s worth it. Of course, he’s got a major lifelong grudge against one of these gods, and the other god is actively trying to wipe out his people…so he’s not exactly the most unbiased judge of such things. Same with Mora and Kaladan. Only Saeli really has a shot at truly deciding whether the end is worth the cost. Right now, she’s on Raphel’s side…but the more time she spends around Naeth, the more she’s going to realize exactly what it would mean to kill a god.

Will she save her world? Or will she save her soul? Of course, her stake in this is all tangled up in her relationship with Raphel, and the choices he makes. Her tragedy is that she will be forced to destroy Raphel while believing in her heart that he wasn’t completely wrong. Ultimately she chooses principle over saving the world, but her circumstances will allow her to do the latter by sticking to the former. Lucky Saeli. Why am I playing it like this? Why am I giving Saeli an out?

Because I don’t know the answer to the question.

Othau believes that securing a future generation of Dheuans is worth the cost of derailing two girls’ lives. Avalgo disagrees, arguing that what good does it do to become monsters in order to survive? Each of them has a point, and I honestly do not know what I would choose, were I put in that position. On one hand, kidnapping, rape, and forced childbirth are monstrous things to inflict on anyone. On the other hand, not acting to save an entire world when you *could*, is also monstrous. It’s an unsettling place for me, not being able to decide within my own mind what a character “ought” to do. All I have to work with is what I know the character would do.

It means I can’t really resolve this fight between Othau and Avalgo. It means that Saeli can’t fully resolve it, even after Raphel betrays her so badly that she MUST stand against him. It means I have to kill off my main villain without knowing, for certain, that he deserved it.

But ultimately, I think maybe it’s a question that needs to be left up to the reader to decide. Each character will choose where they stand, and the reader gets to decide if they made the right decision or not.

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Characters with magic are so difficult to put in peril

Posted by nightphoenix on Sep 17, 2011 in Novels, Output, Process

Seriously.

Here’s the situation. Saeli, Raphel, Mora, and Kaladan are on a world that is, due to a series of unfortunate events involving three jealous goddesses, one naive god, and a very angry angelic…well, doomed. Said goddesses created an extremely infectious disease that eventually rendered every single female on the planet unable to bear children. The last generation has reached their mid-50s or so, and they’ve essentially lost hope.

Enter Saeli and Mora, two young women of childbearing age who, due to their not being born on Dheu, are immune to this disease. You can see how this might interest certain parties. The two women get kidnapped, and are currently trapped in a cave surrounded by twenty or so men who are so desperate to not be the last generation that they’re willing to rape female strangers and force them to live out their lives on Dheu bearing children.

Saeli and Mora are both trained in the art of using their qi to do all sorts of extraordinary things, like fire and ice and wind and teleportation spells. None of the men who have captured them have any such power. (Although half of them are what they call “spirit walkers”. They can essentially thrust their spirits out of their bodies and travel about the “spirit realm”, where they receive guidance from the angelics who live there. This is, of course, of no practical use whatsoever against someone who can lob a fireball at them).

The first obvious question: how did a couple of magically inclined characters get captured by a bunch of non-magically inclined characters in the first place? Read more…

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Sorry for the down time

Posted by Mistress of Feathers on Sep 12, 2011 in News

So I went to update the blog to the latest WordPress, because you know, it’s good to have things up to date. Well, and so…one of my many plugins had a fatal error and broke the blog. As my husband’s computer is where all the actual content is stored, and he’s always very busy…tonight was the first opportunity we had to fix things.

And it was so very, very easy to fix. Gah.

Anyway, that’s why things have been down for the last…week? Two weeks? Time tends to get away from me…

Back with your irregularly scheduled posts soon!

Edited to add: You may notice that some features, like my embedded music, are not working properly. Updating always breaks a few plugins (just usually not so thoroughly). I apologize. It will take me some time to get everything all updated and running again.

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Fantasy and chamber pots

Posted by nightphoenix on Aug 25, 2011 in Books, Input

Currently I’m about 3/4 of the way through A Dance With Dragons by George R. R. Martin, and I’ve got to return the book to the library by tomorrow. That is, of course, if Hurricane Irene doesn’t do a quick loop-da-loop and hit us after all.

I have mixed feelings about A Song of Ice and Fire (the overall series). My biggest problem is that I can make a pretty sizable list of things I don’t like: about the writing, about the characters (specifically how death is handled), about the sexism and sex and overall yuck factor, and…well you get the idea. On the other hand, I’m still reading it. None of these factors were enough to not bother with the current book, nor have they been enough to make me put the current book down. The story is still interesting enough, I guess. But see that’s just it. I can’t put my finger on why I haven’t had the urge to quit reading, and I can’t figure out why such a vague “like” factor should overrule that whole list of “don’t likes”. Read more…

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Goals

Posted by nightphoenix on Jul 22, 2011 in Novels, Output, Process

Recently I’ve been trying to come up with a way to organize which projects I work on, and how much time I spend working. The problem with me, I’ve found, is that when I try to concentrate solely on one project at a time, I inevitably work myself into a bind that I can’t get out of. Not wanting to “break my focus”, however, I don’t allow myself to work on anything else…and thus, nothing gets worked on. Plainly this is, ah, not a good system for me. The other problem I have is allowing myself to get completely derailed, spending a month or two enthusiastically pouring energy into Amphitere’s Vision or one of my minor story ideas when I really, really wanted to be working on Shades. Also, there are days when I get bitten by the art bug, and need to work on something visual. So…what seems to work best for me is having a variety of projects to work on at a time, but only certain ones.

I’ve come up with the idea of organizing every project, including the artistic ones unconnected with my writing and my wands, into what I’ll call “cycles”. Every cycle includes at least one series novel (like Shades or Briar Rose), one stand-alone novel, various shorter writing projects, bits of Amphitere’s Vision, and art projects. It gives me options, but confines those options enough so that I actually make progress on things.

What’s also helped is finally sitting down and deciding exactly what still needs to be done for Amphiptere’s Vision, which was kind of a huge, sprawling mess. The project folder is a jumbled mess of Excel spreadsheets, Notepad notes, and drawings of characters, dragons, and maps in various stages of completion. I asked myself: “If I was going to hand a folder to, oh say a game producer, what all would I need to include so that they would understand the vision of the game? What might they want to see?” and made a list. So now I have, like, actual goals to work towards.

Each “cycle” is supposed to take 1-2 years to complete, though I think that will vary. The way I broke things down, I already have 12 cycles planned. *cough* Yeah, I have a lot of projects. Although the last two or three are just Tindaari (I know I’ll be filling those up). I ran some numbers, and calculated that if I wrote 400 words a day, I could write a 96,000 word novel in a year’s time. Double that to 800 words a day, and I could write two novels in a year’s time. That’s not bad. 400 words doesn’t sound like a whole lot, but I’ve been surprised how often it’s difficult to manage even that much in a day. (Ever try writing with Inspector Gadget, Rugrats, or Pixar playing in the background? Meh.) That will get better after school starts, I think, and I have some hours to myself.

One of my biggest problems in productivity is guilt. Much of the time I feel like I’m not making enough progress. Of if I am making progress, I feel like it’s coming at the expense of doing the laundry, or making sure my son isn’t just sitting around all day watching TV. I know guilt motivates some people, but it paralyzes me. I get even more disinclined to work, and thus feel more guilt, and so on. The 400 words a day is really helping with that, because it’s such an easy goal to meet and yet I know it will still get me somewhere. And when I write more I can pat myself on the back even more. :D

So that’s where I am, and why I haven’t been updating much.

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The week that didn’t exist

Posted by nightphoenix on Jun 18, 2011 in Input, Life, Novels, Output, Process

It’s been a while. And actually, I haven’t been writing for a few weeks either. Most of you who know me in RL already know, but for those who don’t…

Back on Memorial Day, we had to take our five-year-old son to the emergency room. He’d been tired for a couple of days, and then his mouth got really dry. When we took him in, he was so weak and tottery that he could barely walk himself to the bathroom. They tested him in the ER and determined that he had Type 1 diabetes and was suffering from diabetic ketoacidosis, and immediately admitted him. Ketoacidosis is what happens when your body cannot use the sugar in your blood for fuel, and starts breaking down its own tissues instead. Read more…

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Epics

Posted by nightphoenix on May 27, 2011 in Books, Input, Process

I just finished the Winds of the Forelands series by David B. Coe, and as fantasy epics go, it was pretty good. It’s rare that I pick up a series at random and have it be unique enough to hold my interest. Although it had many of the classic tropes of epics, they were combined and re-imagined in such ways that I couldn’t sit there and say “Ah, so it’s this kind of magic system”, etc. Read more…

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Prom

Posted by Mistress of Feathers on May 23, 2011 in Input, Music, News

No, I did not go to anyone’s prom. It’s been a long time since I was in high school, you know.

However, last week I did take myself to the movie Prom, on the justification that it was a teenager movie and I write stories for teenagers. I ought to keep myself familiar with how they dress and talk and act around each other if my books are going to contain any amount of realism. And…sometimes I like a simple young toothy love story. And the guy who plays Jesse is kinda cute *cough*…

Anyway, it was pretty much what I expected. Nothing deep or riveting or complicated. But it did affirm why the young adult genre appeals to me as a whole, and also reminded me that it’s been a while since I was a teenager.

I like the immediacy. People tend to mock teenaged angst, how everything that’s happening is so dreadfully important and a big deal all the time. How ups are like mountaintops and downs are like the end of the world. It’s true that young people lack a certain amount of perspective that comes with age and living life. But you know…sometimes I think adults could use more of that immediacy and significance. Young people care, immensely and deeply, and that kind of passion can do amazing things in the world, if channeled. We, as adults, need to remember how it feels to care, and to love, and to ache…to not let those things slip away with the years.

I like the sort of on-the-cusp, anything-is-possible vibe that seems to permeate stories that involve teenagers. It’s both exciting and scary to be making momentous decisions that will affect the rest of one’s life, and it makes those characters stand out in a way that wise, mature, rational adult characters sometimes don’t.

But watching that movie, I noticed something. Many of the problems between characters could have been easily and quickly solved, if the characters would only talk about what was bothering them. It amazed me how many times I was sitting there in the theater thinking, “Just say it! Why can’t you just speak up??” I found myself sometimes getting frustrated with how easily they would sometimes just give up and go along with the crowd, or follow orders, or do nothing.

But see, I’m an adult. Been there, done that, you know? I’ve learned from experience that getting things out in the open is usually worth any possible repercussions. I’ve learned to express myself, and I’ve learned that voicing my needs and feelings is far better in the long run than hiding them. I’ve had a few years to hone what I’d say, and how I’d say it, and I’m no longer so insecure about what people will think of me if I speak up. It takes some deliberate effort on my part to put myself in a teenaged mindset. Thinking like that not an automatic thing for me.

In other words, I don’t remember what it’s like to be a teenager quite as well as I think I do. And I’d do well to keep that in mind.

In other news, I’ve started another blog. I was very adamant that this blog was going to be for writing, and only for writing, and that I wasn’t going to get into religion or politics here unless it directly related to my writing. But more and more I’ve found myself needing a place to vent on certain issues…because otherwise they just bother me and bother me and I don’t get anything done for like a week. If you really want to know where I stand on such topics, you can head over here and poke around. There’s not much there yet, but it’ll probably get added to pretty fast. I will warn you, sometimes I may not be very nice and I’ll probably be doing a lot of picking on fundamentalist Christianity in particular. Not because I have a problem with the Christian faith…actually, I like it very much, which is why I’d like to see its blind spots and idiocies and dark sides exposed and dealt with. But, if that sort of thing makes you uncomfortable, then you should probably leave exilemusings alone. ;)

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